Unsourced material may be challenged and removed. 1946, when teenagers and young adults danced to jazz-orientated bands. When jazz orchestras dominated pop benny carter swinging the blues lead trumpet pdf and when influential clarinettists were household names. This was the swing era.

Fulham, London: Flame Tree Publishing. Los Angeles on August 21, 1935, bringing the music to the rest of the country. Music experimentation has always been popular in America. Developments in dance orchestras and jazz music culminated in swing music during the early 1930s. It brought to fruition ideas originated with Louis Armstrong, Earl Hines, Fletcher Henderson, Duke Ellington, and Jean Goldkette.

Armstrong, who had heavily influenced jazz as its greatest soloist in the 1920’s when working with both small bands and larger ones, now appeared only with big swing bands. Isham Jones band in 1936 to start his own band. Big band jazz would experience a resurgence starting in the mid-1950s, but it would never attain the same popularity as it had during the swing era. During the 1920s the older two-beat style of jazz was superseded by four-beat jazz, facilitated by replacement of the sousaphone with the string bass. Four beat rhythm was the foundation of the Chicago style jazz developed by Louis Armstrong and Earl Hines, and of the swing era rhythmic styles.

The change in rhythm started first with solo pianists and small ensembles, then larger ensembles towards the end of the decade. Toward the end of the twenties the two-beat styles seemed all but exhausted. First in Chicago, then in Harlem and Kansas City, a new way of playing developed around 1928-29. Chicago musicians migrating to Harlem brought their rhythmic ideas with them.

As is so often the case in jazz, there are confusing exceptions to this general outline. In May 1935, the No. Released a few months before Benny Goodman triggered the national craze known as swing, the song offered a foretaste of the coming deluge. If rhythm defined the swing bands, its foundation lay in the rhythm section: piano, guitar, bass, and drums. In big bands, rhythm sections fused into a unified rhythmic front: supplying the beat and marking the harmonies. Each of the leading bands presented a distinct, well-designed rhythmic attack that complemented its particular style.