The oldest known painting, an artistic depiction of a group of Rhinos, was completed in the Chauvet Cave 30,000 to 32,000 years ago. Painting is a mode of creative expression, and the forms are numerous. Color painting 2.0 expression in the information age pdf highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, white is.

Moreover, the use of language is only an abstraction for a color equivalent. Psychological and symbolical meanings of color are not, strictly speaking, means of painting. Colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. Shows a pointillist painting of a trombone soloist. These images can be printed onto traditional canvas if required. Rhythm is important in painting as it is in music.

If one defines rhythm as “a pause incorporated into a sequence”, then there can be rhythm in paintings. These pauses allow creative force to intervene and add new creations—form, melody, coloration. The distribution of form, or any kind of information is of crucial importance in the given work of art, and it directly affects the aesthetic value of that work. This is because the aesthetical value is functionality dependent, i. Unsourced material may be challenged and removed. France, which some historians believe are about 32,000 years old. In the lowest layer of material at these sites, there are used pieces of ochre estimated to be 60,000 years old.

North-Western Australia, that is dated 40,000 years old. The invention of photography had a major impact on painting. 1960s, that painting as a serious art form is dead. This has not deterred the majority of living painters from continuing to practice painting either as whole or part of their work.

The vitality and versatility of painting in the 21st century defies the previous “declarations” of its demise. A relief against a wall shows a bearded man reaching up with his hands as his clothes are draped over his body. Remember that a painting—before being a warhorse, a naked woman or some story or other—is essentially a flat surface covered with colors assembled in a certain order. Bell discusses the development, through history, of the notion that paintings can express feelings and ideas.