The work is based on three main strands of the Shakespeare story. Here there is a foreboding roger kamien music an appreciation 8th edition pdf doom from the lower strings. The Friar Laurence theme is heard in F minor, with plucked strings, before ending up in E minor. B minor, the agitated theme of the warring Capulets and Montagues, including a reference to the sword fight, depicted by crashing cymbals.
There are agitated, quick sixteenth notes. The love theme signifies the couple first meeting and the scene at Juliet’s balcony. The English horn represents Romeo, while the flutes represent Juliet. Then the battling strand returns, this time with more intensity and build-up, with the Friar Laurence Theme heard with agitation.
B natural for 16 bars. B major chord before the final bar, with full orchestra belting out a powerful B natural to close the overture. There wasn’t much applause, probably because of the appalling cacophony at the end of the piece, which I don’t like at all. It is not properly gestated, and seems to have been written in a very slapdash manner. The seams show, as does all your clumsy stitching. Above all, the form itself just does not work.
The whole thing is completely uncoordinated. Your dedication is precious to me as a sign of your sympathy towards me—and I feel a great weakness for you. Tchaikovsky was too self-critical not to see the truth behind Balakirev’s comments. He accepted Balakirev’s criticism, and the two continued to correspond. The score was reconstructed posthumously from the orchestral parts. Balakirev remained suspicious of anyone with a formal conservatory training but clearly recognized Tchaikovsky’s great talents.
Tchaikovsky liked and admired Balakirev. However, as he told his brother Anatoly, “I never feel quite at home with him. I particularly don’t like the narrowness of his musical views and the sharpness of his tone. Though he complained, “I’m completely burned out,” Balakirev persisted, as was his manner.